CONTENT: 100% Cotton
COMPOSITION CONTENT: Same as above
ORIGIN: Holland
VERTICAL REPEAT: N/A
HORIZONTAL REPEAT: N/A
WIDTH: 55 Inches
WEIGHT: 1.2 oz. per linear yard
FINISH: Crush and stain resistant
BACKING: None
REVERSIBLE: No
AVAILABLE COLORWAYS: 31
ABRASION: Wyzenbeek – 33,000 Double Rubs / Heavy Duty
WET & DRY CROCKING: Class 5
COLORFASTNESS TO LIGHT: Class 5
PHYSICAL PROPERTIES:
PILLING: N/A
BREAK STRENGTH: 570 Warp / 489 Weft
SEAM SLIPPAGE: 30 Warp / 24 Weft
FLAMMABILITY:
California Bulletin #117: Pass
NFPA 701 Flame Test: Pass
NFPA260 Test: Pass
SEATING APPLICATION:
Contact us directly for past approvals
CLEANING CODE:
Dry Clean Only / Non Water Solvent
GENERAL INFORMATION
The popularity and demand of quality cotton/linen velvet for drapery,
as well as for upholstery use continues to increase enormously.
This information has been compiled to assist you understanding any
potential limitations and technical problems of this very attractive
fabric. This is a multi-purpose product constructed for upholstery
use as well as drapery.
Velvets are generally made by weaving two pieces, face-to-face
(joined by the pile yarn), and then cutting the pile between them
at the same time...which makes this popular fabric very difficult
to produce. Theoretically, it is cut into two exactly equal pieces,
but in practice the knife exerts a little downward pressure, making
the lower pile slightly shorter and the upper longer.
Minor variations in the travel of the knife can move small tufts
of the pile, which cannot normally be seen on the surface. If drawn
across in the daytime, curtains may show small spots of light, often
referred to as pin holes which are not seen at night and do not
impair the wearing qualities of the fabric. It is an inherent irregularity,
which cannot be avoided. If complete opacity is required, the addition
of an appropriate interlining is essential.
No matter how carefully the pieces or lengths are packed, crushing
in transit is a problem for which no complete solution has been
found.
Should a heavy object be placed on it, crushing of the pile is
inevitable. Special care should be taken in the transportation of
finished curtains. Plenty of soft paper should be placed between
the folds where the pile is face-to-face, to prevent crush lines.
As crushing altars the angle of the pile, and in consequence the
reflection of light, it shows on the surface as patches of a lighter
or darker shade. Fortunately, however, crushing will usually disappear
after a month or so, but sometimes needs the assistance of steaming
and brushing to lift the pile. Brushing is particularly important
to reduce crushing on upholstered product.
NO VELVET IS ENTIRELY PERFECT
Minor irregularities that can only be seen at very close range,
and which do not impair the general effect of the curtains, when
hanging, come within the limits of normal tolerances. It should
be borne in mind that freshly hung velvet curtains never do full
justice to the quality. As the atmosphere lifts the pile, the richness
and luster steadily improve, a process that can continue for several
months.
There is no hard and fast rule that curtain velvets should be made
up with the piles running up or running down, but it is essential
that all panels should run the same way. The points considered for
each method are as follows:
PILE UP
Pile up gives a richer, deeper color appearance because there
is less light reflection and one can see down the pile. Conversely,
curtains tend to collect dust, and pressure or handling marks
are more obvious where flattened pile increases light reflection.
This tends to make any marks show ups paler in color. Pile distortion
will more readily adjust if curtains are made this way.
PILE DOWN
Because of the greater area of fibers exposed this method gives
more light reflection and therefore less depth of color. However,
marks do not show so readily and dust is not trapped to the same
extent. It is also easier to brush curtains with a downward stroke.
Both methods of hanging are quite correct and preference should
be discussed with the consumer before work commences, as well as
the type of sewing thread most suitable for the particular fabric.
For upholstery we do recommend pile down.
COLOR FASTNESS
Most velvet today is dyed to certain standards. No fabric is completely
fadeless. Some “toning-off”, particularly on the leading
edge of the curtain may gradually take place, due to the action
of the sun through glass, and condensation.
Good quality curtains should not be treated as sun blinds to protect
carpets and furniture. They themselves require protection from the
sun to ensure lasting satisfaction.
The life of the curtains can be improved by:
1. The use of blinds.
2. Ensuring that curtains do not become damp by condensation or
any other way.
3. Lining and interlining (lining also greatly improves the hand
and general appearance of the curtains).
Velvet curtains should always be dry-cleaned.
The Handling of
Pile Fabrics from Joseph Noble Joseph Noble has been selling
velvet and mohair to the contract and residential marketplace for
over 27 years. We take pride in working with mills whose manufacturing
capabilities ensure a first-rate product for us and our clients.
We also make a great effort at our facility to handle these products
in a manner that honors the nature of their overall construction
so that every workroom receives our product in a first-rate condition.
We thought we would reiterate our pile fabric shipping and handling
procedures so that you can be sure that you always receive the top
quality products expected from Joseph Noble.
Our velvets and mohairs are triple-inspected before being shipped
– once at the mill level, again upon receipt at our warehouse
and a third time before they leave our facility. While inventoried
in our warehouse, these items are suspended to avoid being crushed
or damaged (see bottom of page).
These products are carefully prepared for shipping by being double
packaged in specially-designed containers to prevent damage in transit.
Each shipment is clearly labeled “CRUSHABLE FABRIC/LAY FLAT
OPEN IMMEDIATELY” in a red and black 100 pt font on the outside
of the package.
An information sheet outlining our terms and directions for the
receiving workroom is always included within the first yard of the
fabric roll stating:
ATTENTION WORKROOM
IMPORTANT -- PLEASE READ BEFORE CUTTING
THIS FABRIC
PLEASE EXAMINE THIS FABRIC CAREFULLY
FOR COLOR, QUALITY AND QUANTITY
NO CLAIMS OR ALLOWANCES WILL BE ALLOWED
AFTER THIS FABRIC HAS BEEN CUT OR ALTERED IN ANY WAY
NO CLAIMS OR ALLOWANCES WILL BE MADE
AFTER
14 DAYS FROM RECEIPT OF FABRIC |
We have little control once a package leaves our warehouse, and
no control over what happens to the product once received at the
workroom. Damage to the fabric, including crushing of the pile and
“bar markings” across the horizontal length of the fabric,
can occur when objects are placed atop the package, the package
is allowed to lie unwrapped on a bin or shelf or set on-end (even
for a short period of time). It is imperative that the proper care
is taken in the handling of goods received at the workroom so that
the products remain in their first-rate condition.
Should you have any questions about our return policy, please refer
to the Terms and Conditions posted on www.josephnoble.com.
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